jueves, 7 de julio de 2011

Carved Memories (Nu Metal) CR!

 


Carved Memories es un grupo costarricense de New Wave Of Metal con mas de 4 años de experiencia, la juventud de sus integrantes es una de las características interesantes de la banda pues sus edades no superan los 22 años y aun así sus aportes a la música nacional han sido muy importantes como el concierto despedida del grupo nacional Insano, W:O:A Metal Battle 2011, 5to Aniversario de Radio TicosSound y la participación en el concurso MetalCamp 2010, entre otros.

La propuesta de Carved Memories es seria en el escenario dando un espectáculo propio de una banda del género con mucha energía y fuerza.

Actualmente están trabajando en su primer EP llamado “Doom” con la participación del productor costarricense Jesse Alvarado mismo que ha producido a artistas nacionales e internacionales como Akasha, Pnuema, Agressor, Sintagma, Korn, Ozzy y otros.

Se espera que para finales de este año se cuente con un video en cadenas de música nacional e internacional así como giras dentro del país y en el exterior.

History

Carved Memories es un grupo de Nu Metal cuya formación empieza en el 2007 cuando su ex guitarrista Claudio Víquez es invitado a ser parte de una noche de talentos en el colegio de los Ángeles en la sabana, diciéndole a Emma sobre hacer una banda para presentarse ese día, Claudio le cuenta sobre un baterista Stefan Bucher y un bajista Alejandro Gómez quienes también están interesados en formar parte del grupo cuyo nombre fue Hollow Light.
Una vez listos los integrantes principales se unen a la idea Bernardo que por impuntualidades se decide no volver a llamar y Sofía quien por diferentes motivos no continúo.
Después de varios ensayos se decide que Emma sea el vocalista del grupo, y por motivos personales Claudio abandona el grupo, también con la partida de Claudio se decide cambiar el nombre de la banda a Carved Memories (Memorias Talladas).
En el 2008 el grupo decide grabar, y para ello fueron a Audioarte donde con ayuda de Marcos Monnerat graban 2 canciones, Dreams y 9 ways to die creando el sonido ideal para los integrantes, en octubre de ese mismo año se decide hacer el concierto debut en Rockland siendo un éxito rotundo a pesar de varias adversidades que se dieron.
Después del 2008 donde se tuvieron muchos conciertos entre ellos el Lujan Crew Fest la banda empieza a buscar un sonido más fuerte, y graban una tercera canción en Madskull Records, Sounds From My Evil Mind.
En Julio del 2009 a la banda se le invita para la despedida de uno de los grupos más influyentes de la historia del metal nacional, Insano (1N54N0) tocando frente a varios artistas de renombre nacional y creando una muy buena impresión frente a ellos.
Ya para ese tiempo se decide tener un repertorio mas extenso en busca de grabar un disco y para enero del 2010 Emma se pone en contacto con Oscar Rodríguez quedando el como guitarrista del grupo, dándole mas energía a las canciones.
Actualmente Carved Memories va a entrar en el estudio para grabar 2 canciones mas para terminar lo que seria el demo inicial, para después presentarse para grabar lo que seria el disco debut de la banda.

Members

Integrantes Actuales

  • Emmanuel Delgado – Guitarra y Voz
  • Stefan Bucher – Batería
  • Alejandro Gómez – Bajo
  • Oscar Rodríguez – Guitarra


Ex Integrantes

  • Claudio Víquez – Guitarra
  • Sofía – Voz
  • Bernardo – Voz
  • Gabriel – Bajo

Bios
  • Emmanuel Delgado Marín

Alias: Emma - Karved
Instrumento: Guitarra y Voz
Nacimiento: 30/08/90
Músico

Los inicios en la música de Emma fueron en la Escuela Municipal de Artes Integradas (EMAI), donde aprendió las técnicas básicas de la música como solfeo y talleres musicales entre otros, ahí su primer instrumento fue el violín el cual toco por alrededor de 4 años, participando en la sinfónica juvenil de Santa Ana,
En el 2005 se decide a entrar nuevamente al EMAI para aprender a tocar guitarra, al cabo de un tiempo un amigo lo llama para tocar varias veces en el colegio donde el estudiaba pero nunca lograban nada, para el 2007 por motivos de conducta Emma es expulsado del colegio y es cuando decide formar parte seria de un grupo.
Ese mismo año Claudio Víquez llama a Emma para hacer la formación de una banda a la cual accede y ahí es donde conoce a Bucher y Alejandro, dando así su primer concierto con la banda Hollow Light como se llamo en sus inicios Carved Memories. Emma estuvo participando de otros proyectos donde toco en diferentes conciertos como el Expo Rock 2009 dándole mayor experiencia a nivel personal y musical.
Él es actualmente el líder de la agrupación carved memories, compone las canciones y la mayoría de letras del grupo.

Influencias Musicales: DevilDriver, Lamb Of God, Slayer, Slipknot, Pantera, Sepultura, Soulfly, Children Of Bodom

Otras Influencias: Kurt Cobain, Dimebag Darrell, Tom Araya, Jim Root, Alexi Laiho, Matt Tuck, Max Cavalera

  • Oscar Rodríguez Carrión

Alias: Maraka
Instrumento: Guitarra
Nacimiento: 21/09/91
Estudiante

En el 2004 durante el colegio, Oscar recibe clases extracurriculares de guitarra junto con Luigi, de las cuales fueron expulsados a la tercera lección.
Inspirados se dedican a aprender de forma empírica y en el 2005 se proponen a formar una banda, y para inicios del 2006 lo logran formando South Bound, donde Oscar se convierte en el bajista.
En South Bound estuvieron tocando algunos covers de rock y eventualmente algunas canciones propias para presentarse varias veces en el colegio y un par de veces en eventos externos. A finales del 2007 la banda se separa y sigue con Luigi en proyectos personales pequeños durante el tiempo libre, y se va notando una tendencia mayor por parte de Oscar hacia al metal.
A mediados del 2009 es llamado por la banda Horus, a quienes les faltaba bajista para varios conciertos. Luego para el 2010 es llamado por Claudio para formar una banda de metal melódico donde conoce a Emma quien lo oye con su guitarra y decide invitarlo a ser el nuevo guitarrista de Carved Memories, donde se encuentra actualmente y próximo a grabar con ellos.

Influencias Musicales: Iron Maiden, Guns N' Roses, Bullet for my Valentine, AC/DC, 80's hard rock & heavy metal

Otras Influencias: John Petrucci, Adrian Smith, Matt Tuck, Joe Satriani, Randy Rhoads, Zakk Wylde

  • Stefan Bucher Trejos

Alias: Bucher
Instrumento: Batería
Nacimiento: 27/08/90

Stefan empezó a tocar batería aproximadamente hace 4 años y todo empezó por la idea frustrada de Stefan para empezar una banda y poder crear la música que a el le gustaba; mancomunado a esa idea, llego una oportunidad propuesta por uno d los amigos de Stefan de venderle una batería compuesta de 2 toms (12’ y 13’) un redoblante (14’ x 5’) una paila (16’) un bombo (22’) y un hihat, crash y ride de la marca Paiste, linea 101.
Luego de comprarse la batería, Stefan, con ninguna base sobre la batería, comenzó a tocar todo ritmo que se le viniera a la cabeza y asimismo empezó a ver bases de batería en los videos de música de los grupos influyentes en él.
El ingreso al grupo resulta cuando Stefan tocaba en un grupo donde conoció a Claudio Víquez y él le menciono sobre un concierto que se iba a realizar, bucher acepta y es cuando conoce a Emma y Alejandro
Todo este proceso desde la compra de su primer batería hasta la actualidad fue de la mano con el desempeño, dedicación y esfuerzo expuesto por Stefan al instrumento situaciones que lo han llevado al punto al que ha llegado, sin embargo sabiendo que le queda un enorme camino por delante.
Actualmente bucher participa activamente en el grupo creando las letras de unas canciones como 9 ways to die entre otras

Influencias Musicales: Seether, Finger Eleven o Chevelle y también con algunos rasgos del jazz entre otros géneros.

Otras Influencias: Virgil Donati, Joey Jordison, John Boecklin, Chris Adler, Jose Pasillas.

Discography

  • Insane World lml PREVIEW MP3

Quo Vadis (Technical Melodic Death Metal)



Quo Vadis is a technical melodic death metal band from Montreal, Quebec, Canada, formed in 1992 by Bart Frydrychowicz, Yanic Bercier, and Arie Itman and is named after the novel by Polish writer Henryk Sienkiewicz. Since its inception, the band has released three studio albums, one compilation album, one demo, one live DVD, one live album and two videos.

History


  • Formation, Quo Vadis Demo (1992–1995)

Quo Vadis was formed in 1992 by guitarists and vocalists Bart Frydrychowicz and Arie Itman and drummer Yanic Bercier. Initially the band's music consisted of Metallica and Megadeth covers. However, over time, the band began to write originals and incorporate them into their live shows. By 1995, the band had written several originals and wanted to record a demo. Bassist Remy Beauchamp was recruited as a permanent member after the band tried out 17 others and soprano vocalist Sebrina Lipari performed on certain songs live. The Quo Vadis Demo was released on cassette on March 21, 1995 through VomiT Productions and helped the band establish themselves in the Montreal metal community.

  • Forever... (1996–1998)

In early 1996, Quo Vadis headed back into the studio and recorded their debut album with Pierre Rémillard, who had previously worked with Cryptopsy, as producer. On April 10, 1996, Forever... was released and was received favorably by both fans and critics, leading Earth AD Records in Germany and Immortal Records in Poland to sign licensing deals with Quo Vadis. Bart said of the album, "We recorded a demo which was released as an EP on cassette last year. The reaction was very positive. We were still searching for direction at that time, experimenting with keyboards and femme vox. The music is much more focused now as we have found our sound. Forever... is much more aggressive then the EP was, it's much more melodic and intricate. That may sound like a contradiction but that is the case. I think we had more to say as musicians this time in the studio as well. Our objective was to keep the aggression and not to loose our edge. I think we captured that quite well, at the same time setting free our artistic side. It's pretty weird. You have to listen to both to really understand."

  • Day into Night and Passage in Time (1999–2001)

After signing onto Hypnotic Records in 1999, Quo Vadis received a budget of around $20,000[citation needed] to record their second album. Recorded at Victor Studios and produced again by Quo Vadis and Pierre Rémillard, Day into Night was released on March 30, 2000 in Canada. However, due to logistical problems, the album was released to Europe in December. To promote the album a video for "Dysgenics" was made. Remy commented on the making of the video, "It was long! We did two days of shooting. It's not the most pleasant thing to do lipsing and pretend to be playing, but it's all worth it in the end. What's really fun is the editing, seeing the whole thing take shape. We did a video release in Music Plus studios in December, but what people saw that day wasn't the finished version. We changed it a lot since and it looks really cool." Day into Night also sold much more than Forever...; Bart compared them: "The reactions have been excellent, to give you an idea, we sold as many copies of the new album in the 6 months as of Forever... in 2 years."
The sound of the album was notably different than Forever as the female vocals and violins had disappeared and the band's focus had shifted away from melody towards more technicality and progressiveness, featuring more complex song structures and time signature changes. Remy Beauchamp elaborated, "Basically, it was over three years between the recordings of both albums so within that time, the music we listen to has changed. Also, we all improved on our instruments... The female vocals are just something we tried a long time ago. The song was actually written in 1994, and then every band started doing it so we decided to drop it. The violin is not out definitely though, we might be putting some on our next album but for 'Day Into Night', we wanted to have a good heavy album, no extras." Bart said that "the production is much better; we spent 3 months in the studio as opposed to a week and a half... Our budget helped as well - we basically spent ten times the amount that we spent on Forever..." He also said, "One thing that many fans asked about... was why there was no violin. At the time we wanted to distance ourselves from all the bands that filled space in their music with different instruments as opposed to writing good music that stood on its own. We did the violin thing five years ago when the idea was a new concept so we wanted to move in. In face, we did record a violin piece for the album but chose not to include it for the reason above. Too many bands with violins. We wanted Day into Night to be heavy and kick ass and not diluted by association."
In 2001, Quo Vadis released Passage in Time, a compilation album, under Skyscraper Music. The compilation album featured the entire Quo Vadis Demo, two live tracks, two remixes, one new song and the "Dysgenics" video. Remy commented on the album, "The demo hasn't been available for over three years and many fans were asking for it so we decided we might as well do something special if we were to re-release it. There will be a whole multimedia-section with it too. It will be an interesting package."

  • Line-up Changes (2002-2003)

In 2002, Yanic Bercier relocated to Tennessee, United States for work but remained in the band, although not attending a single practice after August 2002. Bart asserted, "Yanic is one of the most solid and reliable people I've ever known... We are in touch multiple times a day and he participates in the band... Our rehearsals are at the live shows we play... Yanic makes great efforts to stay in touch, practice, to fly in for all the shows, mixing, mastering, etc."
In the same year, vocalist and guitarist Arie as well as bassist Remy quit the band. According to Bart this decision was influenced by several factors; "I had wanted to bring in someone into the band for vocals all the way back in 2001, this was not possible at the time as some ex-members of the band felt that it would diminish their importance or feel threatened." He added, "...you see, back in 2002, we weren't expecting all this to happen a month before recording - and to have to write the other half of the album in 4 weeks... if there had been no changes at all, we would have had to deal with similar issues anyway. That's because, little did we know at the time, the other guitarist had only one song ready a month before studio (despite telling us he had material for four songs) so either way we would have had four weeks to write the rest of the album. Maybe he chose to deal with it by leaving the band, I don't know and I don't really care."
Quo Vadis then recruited Cryptopsy guitarist Alex Auburn for the remainder of 2002 to take over Arie's guitar duties. Will Seghers saw the band perform at the Metropolis, their first show after the line-up changes. After about a year he joined the band temporarily, replacing Alex who had to leave due to his commitments with Cryptopsy.
Instead of searching for and auditioning bassists, Bart decided to opt for an already established name. In 2003, Bart emailed Steve DiGiorgio asking, "Would you be interested in doing session work in Canada?" Steve agreed and Bart sent him info on the band and their music. After Steve finished his tour with Testament, he met with Bart for the first time in the Montreal Airport.
For vocals, Quo Vadis recruited Stéphane Paré to replace Arie. Bart praised his vocals, saying, "In any case, the most important issue was to fix the weak delivery of vocals live. And that's been addressed when Stéphane came in." This new line-up was completed by the addition of Roxanne Constantin, formerly of Negativa, on keyboards, soprano and alto vocals.

  • Defiant Imagination (2004)

Although the album was released on November 4, 2004, Defiant Imagination was written much earlier. By 2002, the song structures had been finalized and the drums were recorded in September 2002, and the bass in August 2003 at Wildsound Studios with Pierre Rémillard as the sound engineer. Cellos were recorded in October 2003 by POJPOWJ. The guitars were recorded sporadically between September 2002 and January 2004 and the choir and the vocals were recorded in January 2004. By May 2004, the entire album had been mixed by Jim Morris and mastered by Bernard Belley between June and September 2004.
Because the drums were recorded prior to the guitars, Bart had to write his guitar riffs so that they would compliment the drums and not vice versa. Bart elaborated, "Following the September sessions I went back to work out the harmonies and write a whole new set of guitars trying to see them from a different point of view. The main challenge was to stay within the parameters of the drums - either that or we would have to re-record them again. So I had to be very creative to make the songs interesting without introducing new sections or tempo changes. This is why there are so many harmonies and counter melodies. It was challenging - often I would just jam to the recorded tracks for a long time trying to find a different vibe then that already recorded... this is best apparent on To the Bitter End or Tunnel Effect. If you listen to both guitars, they're doing widely different things yet compliment each other really well."
The title of the album was initially "To the Bitter End" as the band intended to "record, or mix, or master until we're [sic] 100% happy and NOT settle for compromises". Bart explained that the artwork did not fit with the title so the band thought of a newer title and decided upon Defiant Imagination.

  • Defiant Indoctrination, Live in Montreal (2005-2007)

In 2005, Defiant Indoctrination, a triple DVD documenting a concert in Montreal on 7 May 2005 was released. Produced by Bart and Roxy, the first two DVDs featured the concert, in which Defiant Imagination was performed in its entirety along with various other tracks from previous albums, and the third DVD contained drum footage of the entire show, focusing entirely on Yanic Bercier. The mix was handled by Jean-Francois Dagenais (Kataklysm, Misery Index) and Bart. Several guest musicians were featured on the DVD including the famous Quebec cellist Claude Lamothe, Alex Auburn of Cryptopsy fame, bassist Dominique "Forest" Lapointe of Augury/Atheretic/Negativa, and a classical choir and violinist.
In early 2006, William Seghers left the band in order to concentrate on Neuraxis and local progressive metal guitarist Marc-André Gingras of the MAG project was brought in to replace him. In summer 2006, Bart built his own home studio, 40 West Studio, and began working as a producer there with Roxanne as the studio technician. In November 2006, the official Quo Vadis forum was launched. In January 2007, Quo Vadis, along with Kataklysm, toured both Western Europe and Eastern Europe for the first time.
On May 12, 2007, Quo Vadis released Live in Montreal, a live album containing the audio of the 2005 DVD Defiant Indoctrination. In November 2007, Bart released a guitar and bass tabulature book for Defiant Imagination and was sponsored by German amp manufacturer, ENGL.

  • Line-up Changes, But Who Prays for Satan? (2008-present)

On 6 September 2008, Quo Vadis played a concert at The Medley in Montreal, at which Stéphane Paré confirmed that Yanic and him would be leaving the band, leaving Bart as the only original member still left in the band. Bart speculated that the distance between the band and Yanic contributed to his departure; "With regard to Yanic, I know it was a very difficult decision to make on his part. People change, priorities change, personal situations change and he's been flying in from Tennessee for all the shows so you can imagine with the recent developments in the US/gas prices/travel and the fact that we were working remotely on the new record had probably something to do with it. I guess sometimes you have to make difficult decisions and this one was Yanic's. For sure on my end I will miss him on stage and working with him because he's been like a brother to me for 15 years and we've been through so much together." At the same show, Bart's right knee, which had both ligaments torn away in a sports injury, gave in completely and he supported his entire weight on his left knee for the rest of the show. However, this was to no avail as eventually Rob "The Witch" from Necronomicon and Stephane from BCI had to carry Bart around for the rest of the set, eventually having him sit up on a chair for the remainder of the show. Stéphane proposed cutting the show short but Bart refused and played on till the end. In the following months, both his knees had to have surgery.
After the 6 September show, with Stéphane, Yanic and Forest now gone and Bart unable to walk, rumors began to surface on the internet about Quo Vadis being disbanded entirely. However, on 15 September Bart posted a video on YouTube confirming the departures and dismissing the rumors about the break-up, adding that "a new line-up is in place and we actually have some shows scheduled in October and November... I have been sitting on literally two albums worth of material for the past two years that we were not able to finish for various reasons."
This changed line-up consisted of Patrice Hamelin (of Martyr) as drummer, Trevor Birnie (of Damascus & Annex Theory) as vocalist and Roxanne Constantin (of Negativa) as bassist and keyboardist. A rough mix of a new track, "Equilibrium", was released on the band's Myspace page on 25 October 2008. In late 2009, Trevor Birnie left the band's line-up and was replaced with Matthew Sweeney in early 2010 on vocals.
Since then, Bart has confirmed that work is under way on the new Quo Vadis album, tentatively titled But Who Prays for Satan?, expected to be released in 2011 and accompanied by a tour.
On September 29, 2010, Quo Vadis released a new track titled "Obitus" on their Myspace page.

  • Musical style and influences

The band was heavily inspired by Metallica and Megadeth, since they started out by covering them, as well as Carcass, Death, hard rock, classical music, thrash metal. The Quo Vadis Demo and Forever... featured violin interludes and female operatic vocals, but by the band abandoned these for Day into Night as both those things had become prevalent in metal music, according to the band members. Day into Night was more aggressive and technical than the band's previous offerings, partially due to improved musicianship. Also, guitarist and vocalist Arie was taking guitar lessons from Alex Skolnick of Testament and as a result, he played a few solos on Day into Night and added a Testament influence to the band. One of Bart's biggest influences is Chuck Schuldiner, and Gene Hoglan's playing on Individual Thought Patterns and Sean Reinert's playing on Human are two of Yanic's biggest influences. The album Defiant Imagination features two songs written about Chuck which are also dedicated to him. For bass duties on Defiant Imagination, Bart had contacted Steve DiGiorgio who had played on Death's Individual Thought Patterns.

Members

(1992–1994)

  • Arie Itman – vocals, guitar
  • Bart Frydrychowicz – vocals, guitar
  • Yanic Bercier – drums

(1995–2002)

  • Quo Vadis (Demo)
  • Forever...
  • Day into Night
  • Passage in Time
  • Arie Itman – vocals, guitar
  • Bart Frydrychowicz – guitar
  • Remy Beauchamp – bass
  • Yanic Bercier – drums

(2003)

  • Stéphane Paré – vocals
  • Bart Frydrychowicz – guitar
  • William Seghers - guitar
  • Steve DiGiorgio – bass
  • Yanic Bercier – drums
(2004–2008)

  • Defiant Imagination
  • Defiant Indoctrination
  • Live in Montreal
  • Stéphane Paré – vocals
  • Bart Frydrychowicz – guitar
  • William Seghers – guitar
  • Dominique "Forest" Lapointe – bass
  • Yanic Bercier – drums

(2008–2009)

  • Trevor Birnie – vocals
  • Bart Frydrychowicz – guitars
  • Marc-André Gringas – guitars
  • Roxanne Constantin – bass, keyboards
  • Patrice Hamelin – drums
(2010 onward)

  • But Who Prays for Satan?
  • Matthew Sweeney – vocals
  • Bart Frydrychowicz – guitars
  • Marc-André Gringas – guitars
  • Roxanne Constantin – bass, keyboards
  • Patrice Hamelin – drums

Current members

  • Matthew Sweeney - vocals (2010–present)
  • Bart Frydrychowicz - guitar (1992–present), vocals (1992–2002)
  • Marc-André Gingras - guitar (2008–present)
  • Roxanne Constantin - bass (2008–present), keyboards (2003–2008)
  • Patrice Hamelin - drums (2008–present)

Former members

  • Arie Itman - guitar, vocals, violin (1992–2002)
  • Yanic Bercier - drums, vocals (1992–2008)
  • Remy Beauchamp - bass (1995–2002)
  • Stéphane Paré - vocals (2003–2008)
  • Trevor Birnie - vocals (2008–2009)
  • Daniel Mongrain - guitar

Session and guest musicians

  • Alex Auburn - guitar (2002, 2005)
  • Steve DiGiorgio - bass (2003)
  • Dominique "Forest" Lapointe - bass (2004–2008)
  • Sebrina Lipari - vocals
  • William Seghers - guitar (2003–2008)

Discography
(lml = Download)

  • Quo Vadis Demo (1995)
  • Forever... (1996)
  • Day into Night (2000)
  • Passage in Time (2001) lml
  • Defiant Imagination (2004) lml
  • Defiant Indoctrination (2005, DVD)
  • Live in Montreal (2007) lml
  • But Who Prays For Satan? (2011)

Silent Creation (Melodic Death Metal) CR!



SilentCreation is a Melodic Death Metal band formed on 02/22/2009 in San Jose, Costa Rica.

HISTORY

The band was created when Javie and Ivan, they played together on a band named Infinite Wisdom as guitarrists and they decided to create Silent Creation
since Infinite Wisdom was over.
This time Ivan will be leading vocals & rythm guitar. From drumming they thought about Cristian inmediatly (Javie co-worker) who was ending his standing with
a Hard Rock/Heavy Metal band named Overdrive. Silent Creation begun practicing while looking for last member.
When they really needed a bass player they decided to choose Jeff, Javie and Ivan's co-worker on Infinite Wisdom where he sang and played bass.
With the whole band now, they just needed the name of the band and it was hard but they definitly decided SilenCreation, a name taken from a song called
SilentCreation composed by Jeff. With few days practicing offers were coming, with the first concert on 03/09/2009 on a musical store located at a mall.
05/03/2009 was the day they decided having a keyboard player on the band (Lucio), who had a different band at the moment with Ivan, he joined the band and
now SilentCreation is the band you are listening to.

Members
  •  Ivan Rojas (vocals & guitar) 
  • Javie Pocasangre (guitar) 
  • Chris Seas (drums)
  • Jeff "Moonchild" Sanchez (bass)

Discography
(lml = Download)
  • Hang Me Up DEMO (2010) lml

Opeth (Progressive Death Metal)



Opeth is a Swedish progressive metal band from Stockholm, formed in 1990. Though the group has been through several personnel changes, singer, guitarist, and songwriter Mikael Åkerfeldt has remained Opeth's driving force throughout several years. While their style is firmly rooted in Scandinavian death metal, Opeth has consistently incorporated progressive, folk, blues, classical and jazz influences into their usually lengthy compositions. Many songs include acoustic guitar passages and strong dynamic shifts, as well as both death growls and clean vocals. Opeth rarely made live appearances supporting their first four albums; but since conducting their first world tour after the 2001 release of Blackwater Park, they have led several major world tours.
Opeth has released nine studio albums, three live DVDs, three live albums (two in conjunction with DVDs), and two boxsets. The band released its debut album Orchid in 1995. Although their eighth studio album, Ghost Reveries, was quite popular in the United States, Opeth did not experience major American commercial success until the 2008 release of their ninth studio album, Watershed, which peaked at number twenty-three on the Billboard 200, and topped the Finnish albums chart in its first week of release.


History

Formation (1990–1993)


Åkerfeldt and Isberg decided they would carry on with the band after most of the members had gone alternate ways.
Opeth was formed as a death metal band in the autumn of 1990 in Stockholm, Sweden by vocalist David Isberg. Isberg asked former Eruption band member Mikael Åkerfeldt to join Opeth as a bassist. When Åkerfeldt showed up to practice the day after Isberg invited him, it became clear that Isberg had not told the band members, including the band's current bassist, that Åkerfeldt would be joining. An ensuing argument led to all members but Isberg and Åkerfeldt leaving to form a new project. The band name was derived from the word "Opet," taken from the Wilbur Smith novel The Sunbird. In this novel, Opet is the name of a fictional Phoenician city in South Africa whose name is translated as "City of the Moon" in the book; the name might be a reference also to the Egyptian goddess Taweret, also known as Opet.
Isberg and Åkerfeldt recruited drummer Anders Nordin, bassist Nick Döring, and guitarist Andreas Dimeo. Unsatisfied with Opeth's slow progress, Döring and Dimeo left the band after their first performance, and were replaced by guitarist Kim Pettersson and bassist Johan DeFarfalla. After the next show, DeFarfalla left Opeth to spend time with his girlfriend in Germany, and was replaced by Åkerfeldt's friend, bassist Peter Lindgren. Rhythm guitarist Kim Pettersson left following the band's next performance, and Lindgren switched to guitar. David Isberg quit in 1992 because of creative differences.
With three members in the band, Åkerfeldt took over vocal duties and the trio spent the next year writing and rehearsing new material. The group began to rely less on the blast beats and aggression typical of death metal, and incorporated acoustic guitars and guitar harmonies into their music; developing the core sound of Opeth. Stefan Guteklint joined on bass in 1990, but was dismissed by the band after signing its first record deal with Candlelight Records in 1994. The band initially employed former member DeFarfalla as a session bassist for the recording, and he went on to join on a full-time basis following the release of Opeth's debut album in 1995.

  • Orchid, Morningrise, and My Arms, Your Hearse (1994–1998)

Opeth recorded its debut album, Orchid, with producer Dan Swanö in April 1994. Because of distribution problems with the newly formed Candlelight Records, the album was not released until May 15, 1995, and only in Europe. Orchid tested the boundaries of traditional death metal, featuring acoustic guitars, piano, and clean vocals. Allmusic called Orchid "brilliant," "startlingly unique," and "a far-beyond-epic prog/death monstrosity exuding equal parts beauty and brutality."
After a few live shows in the United Kingdom, Opeth returned to the studio in March 1996 to begin work on a second album, again produced by Dan Swanö. Morningrise was released in Europe on June 24, 1996. With only five songs and lasting 66 minutes, the album featured Opeth's longest song, the twenty-minute "Black Rose Immortal." Morningrise was a huge success, with Allmusic giving the album four stars. Opeth toured the UK in support of Morningrise, followed by a 26-date Scandinavian tour with Cradle of Filth. While on tour, Opeth attracted the attention of Century Media Records, who signed the band and released the first two albums internationally in 1997.
After the tour, Åkerfeldt and Lindgren dismissed DeFarfalla for personal reasons, without the consent of Nordin. When Åkerfeldt informed Nordin, who was on a vacation in Brazil, Nordin left the band and remained in Brazil for personal reasons. Former Amon Amarth drummer Martin Lopez responded to a newspaper ad placed by Åkerfeldt and joined Opeth in 1997. Lopez made his debut with Opeth playing on a cover version of Iron Maiden's "Remember Tomorrow", which was included on the album A Call to Irons: A Tribute to Iron Maiden.
With a larger recording budget from Century Media, Opeth began work on its third album, with noted Swedish producer Fredrik Nordström, at Studio Fredman in August 1997. The band added bassist Martin Mendez shortly before recording, but due to time constraints Åkerfeldt played bass on the album. My Arms, Your Hearse was released to critical acclaim on August 18, 1998. As Opeth's first international release, the album exposed the band to a wider global audience. My Arms, Your Hearse marked the beginning of a shift in the band's sound, focusing less on guitar harmonies and more heavily on progressive metal riffs.

  • Still Life and Blackwater Park (1999–2001)

In 1999, the ownership of Candlelight Records changed hands, with owner and friend of the band Lee Barrett leaving the company. Opeth signed with UK label Peaceville Records in Europe, which was distributed by Music For Nations. Opeth reserved time at Studio Fredman to begin work on its next album, but recording was postponed while the studio was relocated. Due to time constraints, the band was able to rehearse only twice before entering the studio. Delays with the album's artwork pushed the release back an additional month and Still Life was released on October 18, 1999. Due to problems with the band's new distribution network, the album was not released in the United States until February 2001. Still Life was the first album recorded with Mendez, and also the first Opeth album to bear any kind of caption on the front cover upon its initial release, including the band's logo. Allmusic called Still Life a "formidable splicing of harsh, often jagged guitar riffs with graceful melodies." As explained by Åkerfeldt, Still Life is a concept album, "The main character is kind of banished from his hometown because he hasn't got the same faith as the rest of the inhabitants there. The album pretty much starts off when he is returning after several years to hook up with his old "babe." The big bosses of the town know that he's back... A lot of bad things start happening."
Following a few live dates in Europe, Opeth returned to Studio Fredman to begin work on its next album, with Porcupine Tree's Steven Wilson producing. The band sought to recreate the recording experience of Still Life, and again entered the studio with minimal rehearsals, and no lyrics written. "This time it was tough," Åkerfeldt said, "I feel pleasantly blown away by the immense result, though. It was indeed worth the effort." Wilson also pushed the band to expand its sound, incorporating new sounds and production techniques. "Steve guided us into the realms of 'strange' noises for guitars and voice," Åkerfeldt said.
Opeth released its fifth studio album, Blackwater Park, on February 21, 2001. Allmusic called Blackwater Park "astounding, a work of breathtaking creative breadth," noting that the album "keeps with Opeth's tradition by transcending the limits of death/black metal and repeatedly shattering the foundations of conventional songwriting." In support of Blackwater Park, Opeth embarked on its first world tour, headlined Europe for the first time, and made an appearance at the 2001 Wacken Open Air festival in Germany, playing to a crowd of 60,000.

  • Deliverance and Damnation (2002–2004)

Opeth returned home after touring in support of Blackwater Park, and began writing for the next album. At first, Åkerfeldt had trouble putting together new material: "I wanted to write something heavier than we'd ever done, still I had all these great mellow parts and arrangements which I didn't want to go to waste." Jonas Renkse of Katatonia, a long-time friend of Åkerfeldt, suggested writing music for two separate albums—one heavy and one soft.
Excited at the prospect, Åkerfeldt agreed without consulting his band mates or record label. While his band mates liked the idea of recording two separate albums, Åkerfeldt had to convince the label: "I had to lie somewhat... saying that we could do this recording very soon, it won't cost more than a regular single album." With most of the material written, the band rehearsed just once before entering Nacksving Studios in 2002, and again with producer Steven Wilson in Studio Fredman. Under pressure to complete both albums simultaneously, Åkerfeldt said the recording process was "the toughest test of our history."[citation needed] After recording basic tracks, the band moved production to England to first mix the heavy album, Deliverance, with Andy Sneap at Backstage Studios. "Deliverance was so poorly recorded, without any organisation whatsoever," Åkerfeldt claimed, that Sneap "is credited as a 'saviour' in the sleeve, as he surely saved much of the recording."
Deliverance was released on November 4, 2002, and debuted at number 19 on the US Top Independent Albums chart, marking the band's first US chart appearance. Allmusic stated, "Deliverance is altogether more subtle than any of its predecessors, approaching listeners with haunting nuances and masterful dynamics rather than overwhelming them with sheer mass and complexity."
Opeth performed a one-off concert in Stockholm, then returned to the UK to finish recording vocals for the second of the two albums, Damnation, at Steven Wilson's No Man's Land Studios. Although Åkerfeldt believed the band could not finish both albums, Opeth completed Deliverance and Damnation in just seven weeks of studio time, which was the same amount spent on Blackwater Park alone. Damnation was released on April 14, 2003, and garnered the band its first appearance on the US Billboard 200 at number 192. The album also won the 2003 Swedish Grammy Award for Best Hard Rock Performance.
The band embarked on its biggest tour yet, playing nearly 200 shows in 2003 and 2004. Opeth performed three special shows in Europe with two song lists each—one acoustic set and one heavy set. The band recorded its first DVD, Lamentations (Live at Shepherd's Bush Empire 2003), at Shepherd's Bush Empire in London, England. The DVD features a two-hour performance, including the entire Damnation album, several songs from Deliverance and Blackwater Park, and a one-hour documentary about the recording of Deliverance and Damnation. Lamentations was certified Gold in Canada.
Opeth was scheduled to perform in Jordan without a crew due to the fear of terrorist attacks in the Middle East. Opeth's tour manager distributed 6,000 tickets for the concert, but before the band left for Jordan, drummer Lopez called Åkerfeldt stating he was having an anxiety attack and could not perform, forcing the band to cancel the show. In early 2004, Lopez was sent home from Canada after more anxiety attacks on tour. Opeth decided against cancelling the remainder of the tour with Lopez's drum technician filling in for two concerts. Lopez promised that he would return to the tour as soon as he could, but two shows later Opeth asked Strapping Young Lad drummer Gene Hoglan to fill in. Lopez returned to Opeth for the Seattle show on the final leg of the Deliverance and Damnation tour. Per Wiberg also joined the band on tour to perform keyboards, and after more than a year on tour, Opeth returned home to start writing new material in 2004.

  • Ghost Reveries (2005–2007)

Peter Lindgren performing in 2005, before he parted ways with Opeth.
Opeth's European label, Music For Nations, closed its doors in 2005 and after negotiations with various labels, the band signed with Roadrunner Records. Åkerfeldt said the primary reason for signing with Roadrunner was the label's wide distribution, ensuring the album would be available at larger-chain retailers. When news leaked that the band was signed to Roadrunner, who predominantly worked with trend-oriented rock and metal, some fans accused the band of selling out. "To be honest," Åkerfeldt said, "that's such an insult after 15 years as a band and 8 records. I can't believe we haven't earned each and every Opeth fan's credibility after all these years. I mean, our songs are 10 minutes long!"
Opeth finished writing material for its eighth album in late 2004. The band rehearsed for three weeks before entering the studio, the first time the band rehearsed since the 1998 album, My Arms, Your Hearse. During rehearsal, keyboardist Wiberg joined Opeth as a full-time member. Opeth recorded at Fascination Street Studios in Örebro, Sweden, from March 18 to June 1, 2005, and released the resulting Ghost Reveries on August 30, 2005, to critical and commercial acclaim. The album debuted at number 64 in the US, and number nine in Sweden, higher than any previous Opeth release. Keith Bergman of Blabbermouth.net gave the album ten out of ten, one of only 17 albums to achieve a perfect rating from the site. Rod Smith of Decibel magazine called Ghost Reveries "achingly beautiful, sometimes unabashedly brutal, often a combination of both."
On May 12, 2006, Martin Lopez announced that he had officially parted ways with Opeth due to health problems, and was replaced by Martin Axenrot. Opeth toured on the main stage of Gigantour in 2006, alongside Megadeth. Ghost Reveries was re-released on October 31, 2006, with a bonus cover song (Deep Purple's "Soldier of Fortune") and a DVD featuring a 5.1 surround sound mix of the album (along with a documentary on the making of the record). A recording of Opeth's live performance at the Camden Roundhouse, in London, on November 9, 2006, was released as the double live album The Roundhouse Tapes.
On May 17, 2007, Peter Lindgren announced he was leaving Opeth after 16 years. "The decision has been the toughest I've ever made but it is the right one to make at this point in my life," Lindgren said. "I feel that I simply have lost some of the enthusiasm and inspiration needed to participate in a band that has grown from a few guys playing the music we love to a worldwide industry." Ex-Arch Enemy guitarist Fredrik Åkesson replaced Lindgren, as Åkerfeldt explained:
Fredrik was the only name that popped up thinking about a replacement for Peter. In my opinion he's one of the top three guitar players out of Sweden. We all get along great as we've known each other for maybe four years and he already has the experience to take on the circus-like lifestyle we lead as members of Opeth.

  • Watershed (2008–2010)

Mikael Åkerfeldt and Martin Mendez live in 2008
After nearly 200 performances in support of Ghost Reveries, Opeth entered Fascination Street Studios with Åkerfeldt producing, in November 2007. By January 2008, Opeth had recorded 13 songs, including three cover songs. The finished album, Watershed, features seven tracks, with cover songs used as bonus tracks on different versions of the album. Watershed was released on June 3, 2008. Åkerfeldt described the songs on the album as "a bit more energetic." Opeth toured in support of Watershed, including headlining the UK Defenders of the Faith tour with Arch Enemy, an appearance at Wacken Open Air, and the Progressive Nation tour with headliner Dream Theater. Watershed was Opeth's highest-charting album to date, debuting at number 23 on the US Billboard 200. Watershed debuted on the Australian ARIA album charts at number seven and at number one on Finland's official album chart.
Opeth went on a worldwide tour in support of the album. However, gigs in Spain and Portugal were cancelled due to the Burning Live Festival being cancelled, and four concerts from June 26 to June 29 had to be cancelled due to Mikael Åkerfeldt having chicken pox. Two of the festivals Opeth were supposed to play at were Hovefestivalen and Metaltown in Sweden. Their replacement for both the absences was Satyricon. From September to October, Opeth toured North America again backed by High on Fire, Baroness, and Nachtmystium. They returned to tour Europe for the rest of the year with Cynic and The Ocean.
Opeth wrote and recorded the new track, "The Throat of Winter", which appeared on the digital EP soundtrack of the video game, God of War III. Åkerfeldt described the song as "odd" and "not very metal."
To celebrate their 20th anniversary, Opeth performed a six-show, worldwide tour called Evolution XX: An Opeth Anthology, from March 30 through April 9, 2010. Blackwater Park was performed in its entirety, along with several songs never before performed. Åkerfeldt stated, "I can’t believe it, but, fuck, we’re celebrating 20 years. I’ve been in this band ever since I was 16. It’s insane." A special edition of Blackwater Park was released on the March 29, 2010, to coincide with the tour.
The Evolution XX concert of April 5, 2010 at the Royal Albert Hall in London, England was filmed for a DVD/live album package titled In Live Concert at the Royal Albert Hall. The set was released on September 21, 2010 in 2-DVD and 2-DVD/3-CD configurations. For the DVD the concert was split into two sets. The first set consists of the entire Blackwater Park album, while the second set contains one song from every album excluding Blackwater Park, in chronological order representing the twenty years of "evolution" in their music.

  • Heritage (2011–present)

Åkerfeldt stated in September 2010 that he was currently writing for a new Opeth album, which he hoped to have released in 2011.[47] The band announced on their website that they would start recording their tenth album on January 31, 2011 at the Atlantis/Metronome studios in Stockholm, once again with Jens Bogren (engineering) and Steven Wilson from Porcupine Tree. Steven Wilson recently stated via his Facebook that he had finished mixing the album in late March.
The upcoming album, Heritage, will be the last Opeth recording with Per Wiberg as the keyboardist as on April 6, 2011 it was announced that Wiberg would be leaving the band as part of a mutual decision. The album will be released on September 20, 2011.
Joakim Svalberg is rehearsing with the band although he is considered a session musician, not a full band member.


  • Musical style and influences


As Opeth's primary songwriter and lyricist, vocalist-guitarist Mikael Åkerfeldt's influence dominates the sound of the band. Åkerfeldt is the only member to appear on every release. Influenced at a young age by heavy metal bands such as Slayer, Death, Black Sabbath, Celtic Frost, King Diamond, Morbid Angel, and most importantly Judas Priest. According to Mikael Åkerfeldt Sad Wings of Destiny is the best heavy metal album ever, and there is a time when he only listens to Judas Priest. Mikael Åkerfeldt sings "Here Come the Tears" by Judas Priest at most of his shows while warming up. Åkerfeldt later discovered progressive rock and folk music, both of which had a profound impact on the sound of the band. Opeth's distinct sound mixes death metal with acoustic passages, while also incorporating elements of progressive metal and progressive rock. In his review of Blackwater Park, Allmusic's Eduardo Rivadavia wrote, "Tracks start and finish in seemingly arbitrary fashion, usually traversing ample musical terrain, including acoustic guitar and solo piano passages, ambient soundscapes, stoner rock grooves, and Eastern-tinged melodies—any of which are subject to savage punctuations of death metal fury at any given moment." Åkerfeldt commented on the diversity of Opeth's music:
I don't see the point of playing in a band and going just one way when you can do everything. It would be impossible for us to play just death metal; that is our roots, but we are now a mishmash of everything, and not purists to any form of music. It's impossible for us to do that, and quite frankly I would think of it as boring to be in a band that plays just metal music. We're not afraid to experiment, or to be caught with our pants down, so to speak. That's what keeps us going.
Vocally, Åkerfeldt shifts between traditional death metal vocals for heavy sections, and clean, sometimes whispered vocals over acoustic passages. While his death growls were dominant on early releases, later efforts incorporate more clean vocals, with the 2003 release Damnation featuring only clean singing. Rivadavia noted that "Åkerfeldt's vocals run the gamut from bowel-churning grunts to melodies of chilling beauty—depending on each movement section's mood."

Band members

Current members

  • Mikael Åkerfeldt – lead vocals, guitars (since 1990)
  • Martin Mendez – bass guitar (since 1997)
  • Martin "Axe" Axenrot – drums, percussion (since 2006)
  • Fredrik Åkesson – guitars, backing vocals (since 2007)
  • Joakim Svalberg – keyboards (since 2011)

Former members

  • Peter Lindgren – guitars (1991–2007)
  • Martin Lopez – drums, percussion (1997–2006)
  • Anders Nordin – drums (1990–1997)
  • Johan DeFarfalla – bass guitar (1991, 1994–1996)
  • Per Wiberg – keyboards, synthesizers, mellotron, backing vocals (2005-2011)
  • Åkerfeldt played the bass on My Arms, Your Hearse (1998) at the recording sessions, as Mendez didn't have enough time to learn the parts for the album.
  •  Wiberg played keyboards for live Opeth performances between 2003 and 2005, before becoming an official permanent member.

Discography
(lml = Download)
Studio albums

  • Orchid (1995) lml
  • Morningrise (1996) lml
  • My Arms, Your Hearse (1998) lml
  • Still Life (1999) lml
  • Blackwater Park (2001) lml
  • Deliverance (2002) lml
  • Damnation (2003) lml
  • Ghost Reveries (2005) lml
  • Watershed (2008) lml
  • Heritage (2011)
  • The Roundhouse Tapes 2CDs lml

miércoles, 6 de julio de 2011

Gallhammer (Japanese Extreme Metal)



Gallhammer is a Japanese extreme metal group that draws on black metal, doom metal, and crust punk.[1][2][3] They formed in Tokyo in 2003. All of the members are female, which is rare in their genre.
“ I can say that raw feelings make a good sound. Because we are not machine. We could shed blood, could vomit and have feeling of hate. ... I wanted to express the mental instability and mental cruelty which a girl has. Now we are holding up pride, hate and life in the front. We are not wearing that dress. - Vivian Slaughter[4]

Biography

Their first recording, a free demo tape limited to 30 copies, was distributed at their first gig at Koiwa Death Fest Vol.2, around March 2003, in Japan. In July of the same year, the self-titled demo album was released. By April of the following year, they had released another demo album, Endless Nauseous Days, and were working towards their debut full-length CD. The 8-track album, entitled Gloomy Lights, was released in November 2004 through Hello From The Gutter Records.
In January 2006, Gallhammer was signed to Peaceville Records, on the recommendation of Darkthrone.[5] A CD/DVD pack, entitled The Dawn of..., was released, containing a CD, demo and rehearsal footage, and a DVD recording of Gallhammer performing in Okayama and five concerts in Tokyo.
Gallhammer released their second full-length album, Ill Innocence, through Peaceville Records in September 2007, followed by a European tour. In March 2008, they did a second European tour. They also played at the Inferno Metal Festival in June.

Influences

In an interview with Contraband Candy, Vivian Slaughter cited Hellhammer, Celtic Frost, Amebix and Burzum as Gallhammer's main musical influences.[6] Slaughter is also a passionate fan of Judas Priest,[7] and appreciates Corrupted.[5] While the group borrows from crust and anarcho-punk, they do not identify with a particular political outlook.[8] She says she was first inspired to play music after seeing Napalm Death and Painkiller in concert.[5] Other influences include Joy Division, Antisect, Carcass, Cathedral, Morbid Angel, and Scorn.[4] Risa Reaper is a fan of old school techno, Kraftwerk, Krautrock, and Laibach.[7] The group is also inspired by Japanoise and have collaborated with Incapacitants.[7]

Members

Band members

  • Vivian Slaughter - vocals, bass
  • Risa Reaper - drums, vocals

Former members

  • Mika Penetrator - guitar, vocals (2003-2010)

Discography
(lml = Download)
Studio albums


  • Gloomy Lights (2004) lml
  • Ill Innocence (2007) lml
  • The End (2011)


Live and other albums


  • Untitled (demo) (2003)
  • Gallhammer (demo) (2003)
  • Endless Nauseous Days (demo) (2004)


Video


  • The Dawn of... (2007) lml
  • Ruin of a Church (2008)

Drottnar (Christian Extreme Metal)



Drottnar is a Christian extreme metal band from Fredrikstad, Norway. They formed in 1996. Drottnar has played at notable festivals such as Sweden's Endtime Fest[3], Norway's Nordic Fest[4], Switzerland's Elements of Rock[5], Finland's Immortal Metal Fest[6] and United Kingdom's Destruction Fest[7] and they frequently play concerts throughout Europe.
The band has released two albums, Spiritual Battle (2000) and Welterwerk (2006), and an EP titled Anamorphosis (2003). The first album was released on UK label Plankton Records. They are currently signed to Swedish label Endtime Productions (Extol, Antestor, Crimson Moonlight).[8][9]
Drottnar is the plural (sing. Drottinn, Norwegian "Drott") of an Icelandic word for master, ruler or king. Originally adopting a Viking image[10], the band is currently known for their peculiar political thematics and live shows where they use military uniforms reminiscent of the Russian style.[11]

History

The band was originally formed under the name Vitality in 1996 by four Lind siblings[12]: vocalist Sven-Erik Lind, guitarist-keyboardist Karl Fredrik Lind, drummer Glenn-David Lind, and bassist Bjarne Peder Lind. They recorded their first two demos at X-Ray Studios. The first one, titled Doom of Antichrist, was released in May 1996.
In 1998 the name was changed to Drottnar and a demo titled A White Realm was recorded in September.
In 2000 the band released their demos together as an album titled Spiritual Battle. It was published by UK based label Plankton Records. The demos were remastered for the album, and Spiritual Battle was well-received by Cross Rhythms Magazine.[2]
A year later, Drottnar entered the studio of Black Woods Productions and recorded a song called "Trellebaand Maa Briste" for the Swedish label Endtime Productions' compilation album In the Shadow of Death.
The band changed its image a bit and used more militant elements such as gas masks as part of its live shows. In 2003, Drottnar recorded an EP titled Anamorphosis on the Norwegian label Momentum Scandinavia. The EP was limited to 850 pieces, and contains an intro and three songs with violins on the intro and other parts. Bass player Bjarne Peder Lind left the band before the album was recorded. Drottnar was joined by guitarist Bengt Olsson and bassist Håvar Wormdahl.


Vocalist Sven-Erik Lind wearing a military uniform.
The band began using military uniforms, reminiscent of Soviet or Czech army style, as part of their image and live shows. In 2005 the band was signed to Endtime Productions, and entered Subsonic Studios to record new material. Some elements such as trumpet were recorded in Ostrava, Czech Republic by Jan-Espen S. Schildmann. In April 2006 the band released an album titled Welterwerk.[13] A 7 inch vinyl single titled Ad Hoc Revolt was also released for promotional purposes. Welterwerk is by far Drottnar's most acclaimed release.[13]
Drottnar has performed with bands such as Grimfist and Extol. The band played a short tour in the U.S. in summer 2008, performing at the Cornerstone Festival.
On January 12, 2009, the band announced on their MySpace blog that Welterwerk has been a success, and they started recording a new album. On January 26, 2010 the band launched a new website and announced that the album is fully recorded and they are currently mixing it. The band promises that "We will deliver you state-of-the-art bunker metal heard nowhere else. You will not be disappointed!" On August 9, 2010, the band announced that the album is mixed and is proceeding to master the record.[14]
[edit]Lyrics and themes

In the beginning the band's lyrics dealt with Christianity with a brutal and extreme approach; the lyrics on the album Spiritual Battle were inspired by the Book of Revelation and dealt mostly with the battle ravaging the spiritual world. The band members have said "The Norwegian black metal scene does not influence our lyrics, but the lyrics are still written in a black metal way, fitting our music well." Currently the lyrics incorporate politics and philosophy, for example Latin phrases such as "ad hoc" or "sine qua non".[12]


Megaphone is a recognizable element of Drottnar's live shows.
Drottnar's early live shows incorporated flashing strobes, thick smoke and cold or dark light show. They also used white candles on stage, "creating a bit mystic and emotional effect."[15]
Currently Drottnar has had a special feature for several years, the use of Czech or "Soviet" style elements: the song titles and lyrics contain Soviet-sounding words and metaphors, some songs contain samples of radio play or radio communication elements involved in the 20th century[13], and at concerts all band members use Soviet or "DDR" type uniforms.[11] They still use stroboflashes at their concerts. The vocalist Sven-Erik Lind typically uses effects such as megaphones to create a militant atmosphere.
In November 2006, the Drottnar members played as session musicians for the one-man unblack metal pioneer group Horde at Nordic Fest. The members covered their faces in order to not be recognized and to maintain the "myth" of Horde.


Discography
(lml = Download)

  • Doom of Antichrist (demo) (1997)
  • A White Realm (promo) (1998)
  • Spiritual Battle (compilation) (2000) lml
  • Anamorphosis EP (2003) lml
  • Ad Hoc Revolt 7" EP (2006)
  • Welterwerk (2006) lml
  • TBA (2011)

Members

Current lineup


  • Sven-Erik Lind – vocals
  • Karl Fredrik Lind – guitar
  • Bengt Olsson – guitar
  • Håvar Wormdahl – bass guitar
  • Glenn-David Lind – drums

Former members


  • Bjarne Peder Lind – bass guitar

Acrimonious (Death/Grindcore)


Acrimonious born in 1990 in the city of Coronel, VIII region. It was the first grindcore band in the live debut. Original members are DANILO GARCIA (guitar), PATRICIO LEPE (drums), Claudia Sepulveda (bass), and HUGO CARTES (vocals), was characterized by its profile clearly end. His first appearance was at the concert THRASH TILL DIE carried out in the gym The Condors in Talcahuano with important bands of Santiago as torture abhorrent AND SUDDEN DEATH. Public support at that time was remarkable.
A year later, in 1992, the group recorded their first demo cassette format, giving a new proposal in the style that took away a major success on the circuit metalhead in the area.
He spoke of the revelation of metal in the region and the emergence of numerous bands grindcore was growing. The group's musical evolution was reflected in further changes. The arrival of a new vocalist (Mauritius CEA) and a second demo in 1994. Most complex and longest-running acrimonious made it clear that was not a reference only grindcore band, but a fusion of styles ends with melodies of technical trends. That same year he joined on bass MARCO SEPULVEDA who made the most emblematic of the band.
Presentations in multiple events led to the band share the stage with major national bands, such as AD-HOC TAX, THE WORST OF CHILE, UNDERCROFT, among others. However, after getting a good seat in the local scene, acrimonious goes into recess.
It would take 4 years for the band reborn again. New presentations, the arrival of a new guitarist (ALVARO POVEDA) and a fresh musical style (more along the lines of Death metal) and allowed to return to the path left. Acrimonious was back, and thus events such as the MARATHON ROCK, METAL CHURCH, and LOST ANGELES METAL FEST (among others) showed that there was still here to stay.
Excellent reviews from various websites, the unconditional support of the new scene and support of various musicians from the region bound to acrimonious as one of the most important bands of the Eighth Region.
The most important step is recognizing a band and in the case of acrimonious in 2004 it certainly is materialized in the classification of the event which brings together the most prominent bands of the rock scene penquista, THE EIGHTH WONDER. The newspaper SOUTH considered "remarkable" group presentation at the auditions to the final qualifying. The band leaves a record on CD and DVD of the event.
In May 2005 released his first album acrimonious "Crisis of Hate." A CD with independent production that brings together eight of the best-known songs in the circuit penquista metalhead. In addition to its Web site www.acrimonious.cl which released the first month of records more than 30,000 visits.
The band continues with their performances in different cities, thus highlighting the event "The best is what our" in 2006 the city of Coronel, where they participate in a compilation CD. That same year they are invited to participate in the "living culture" which is recognized as one of the leading bands of the mining area and made to present an award.
In 2007 ALVARO POVEDA left the band for reasons of time with your other proyectos.Este acrimonious year 2010 meets with Marcelo Pavez (Trap) on guitar and Willy at Battery to celebrate 20 years of the band left the road and continue .

Members


  • Carl Tiburtius Nordblom Bass
  • See also: Matricide, Nightbringer, ex-Descending
  • Acherontass Bass
  • See also: Acherontas, Nihasa, ex-Seventh Xul, ex-Stutthof, ex-Worship, ex-Virus of Koch
  • C.L. Vocals


( legacy lineup )

  • C.L. - Guitar, Bass, Vocals
  • Acherontas - Guitar (Worship, Stutthof, Acherontas, Nihasa, Seventh Xul, {\link Shibalba}, Virus of Koch)
  • Carl Tiburtius Nordblom - Bass (Matricide, Descending, Morbid Insulter, Nightbringer)


Discography
(lml = Download)

  • Unholy Cult Demonic Demo 2003 lml
  • The Unholy Unification to Sacrificed Split 2005
  • Perdition Gospel EP 2006 lml
  • Broken Bonds of Balance EP 2007 lml
  • Purulence Full-length 2009 lml

ReproOfHell


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